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Giuliani R. “About the Utility of Russian Literature Outside of Russia”, The problems of historical poetics. 2020, Tom №18, Issue №3. DOI: 10.15393/j9.art.2020.8262


The problems of historical poetics


About the Utility of Russian Literature Outside of Russia

Giuliani
   Rita
Università degli Studi di Roma “La Sapienza”, The Sapienza University of Rome
Key words:
‘Pan-humanism’
Russian literature
praise
utility of reading
Western reader
reasons for loving Russian literature
Summary:

This article analyzes the excellence, uniqueness and specific elements of Russian literature that make it valuable in the eyes of a Western reader, helping him or her to better understand Russia and enrich his or her spiritual dimension. There are many such elements, and while I cannot touch on all of them, I would like to remind the reader of the fact that Russian literature has always been that particular point where social, humanitarian, political and philosophical thought comes together. Russian literature also sheds light on the mindset of the Russian people (narod), offering a different perspective to a Western reader. In addition, Russian literature, with its cultural ‘explosions’ (vzryvy) and the writers who embodied these explosions, greatly influenced European literature, inspiring entire generations of readers and writers. What turned out to be most unique in Russian literature was a perpetual attention to the great questions of human existence, the so-called “damned questions” (proklyatye voprosy). But Russian literature has an additional quality, starting from that moment when its hero became the human soul. It is precisely the soul, the protagonist of Russian literature, which unites Russian writers in a unique and inimitable community, and their readers and admirers — in a community moved and grateful. Ultimately, Dostoevsky — probably the most beloved Russian writer in the West — was right when he asserted in his well-known Pushkin speech, “the capacity for universal compassion (otzyvchivost’) is the most important quality of our national character”.




Литература (russian)

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  5. Cadot M. Eugène-Melchior de Vogüé le héraut du roman russe. — Paris: Institut d’études slaves, 1989. — 120 p.
  6. Colloquio italo-sovietico. Il romanzo russo nel secolo XIX e la sua influenza nelle letterature dell’Europa occidentale (Roma, 17—19 maggio 1976). — Roma: Accademia Nazionale dei Lincei, 1978. — 228 p.
  7. Landolfi Tommaso. Introduzione a «Narratori russi» // Landolfi Tommaso. I Russi. — Milano: Adelphi, 2015. — P. 15—28.
  8. Ripellino Angelo Maria. Letteratura come itinerario nel meraviglioso. — Torino: Einaudi, 1968. — 272 p.
  9. Ripellino Angelo Maria. Poesie. 1952—1978. — Torino: Einaudi, 1990. — 288 p.
  10. Woolf Virginia. The Russian Point of View // Woolf Virginia. The Common Reader. First Series. — London: Hogarth Press, 1925. — 100 p.

Литература (english)

  1. Esaulov I. A. Russkaya klassika: novoe ponimanie [Russion Classics: New Understanding]. St. Petersburg, Aleteyya Publ., 2012. 448 p. (In Russ.)
  2. Lotman Yu. M. Kul’tura i vzryv [Culture and Explosion]. Мoscow, Gnosis Publ., Progress Publ., 1992. 272 p. (In Russ.)
  3. Yanovskaya L. M. Notes to the Short Story “The Khan’s Fire”. In: Bulgakov M. Izbrannye proizvedenya: v 2 tomakh [Bulgakov M. Selected Works: in 2 Vols]. Kiev, Dnipro Publ., 1989, vol. 1, 768 p. (In Russ.)
  4. Bloom Harold. Il genio. Il senso dell’eccellenza attraverso le vite di cento individui non comuni. Milano: Rizzoli, 2002. 945 p. (In Italian)
  5. Cadot M. Eugène-Melchior de Vogüé le héraut du roman russe [Eugène-Melchior de Vogüé, the Herald of the Russian Novel]. Paris, Institut d’études slaves Publ., 1989. 120 p. (In French)
  6. Colloquio italo-sovietico. Il romanzo russo nel secolo XIX e la sua influenza nelle letterature dell’Europa occidentale (Roma, 1719 maggio 1976) [Italian-Soviet Colloquium. The Russian Novel in the 19th Century and Its Influence in Western European Literatures (Rome, May, 1719, 1976)]. Roma, Accademia Nazionale dei Lincei Publ., 1978. 228 p. (In Italian and Russ.)
  7. Landolfi Tommaso. Introduzione a Narratori russi [Introduction to “Russian Novelists”]. In: Landolfi Tommaso. I Russi [Landolfi Tommaso. Russians]. Milano, Adelphi Publ., 2015, pp. 15—28 (In Italian)
  8. Ripellino Angelo Maria. Letteratura come itinerario nel meraviglioso [Literature as an Itinerary in the Wonderfulness]. Torino, Einaudi Publ., 1968, 272 p. (In Italian)
  9. Ripellino Angelo Maria. Poesie. 19521978 [Poems. 1952—1978]. Torino, Einaudi Publ., 1990. 288 p. (In Italian)
  10. Woolf Virginia. The Russian Point of View. In: Woolf Virginia. The Common Reader. First Series. London, Hogarth Press Publ., 1925. 100 p. (In English)



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